Messages posted by hidaven

Thank you, you have been very helpful. People like you make things easier for the rest of us, thanks again : )))

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No. That's a guide for keeping titles and important parts of your videos inside an area that all TVs (NOT computer monitors/screens) will show. It has nothing to do with the actual content, and if your audience isn't using old style TVs, you can completely ignore it.

See this Wikipedia article for a detailed explanation.

OK, one more....I have the "TV safe zone" broken line box on the image. 1. what is that? 2. if its the outline for my 16x9 TV set, shouldnt it cover the whole image as the .jpeg is 1080x1920 which is 16x9 already? That broken box should be covering the whole image right? Thx

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Each transition has a default starting point (they're actually not random), but often it's not where you might want to start. Same with the endpoint, so you'll need to manually adjust each keyframe. This does require some effort on your part, but you will end up with exactly the look you want.

Here's a quick tutorial showing how that's done.

Hi!

Having some issues with motion effects on still images. When I load the image I want to work on, I get a full representation of the image int he preview window. As soon as I select any of the pan, zoom, corner to corner motions, the image crops in to a random location and then starts the movement. Why cant I start out witht he full image before any actions are taken? If this is an automatic process, it should start witht he entire image visible before panning/ zooming etc.

Thanks, Dave

Ah, thanks Jeff. 2 more.

If I can only produce or output in 8 bit, should I just stop recording in 10 bit? Or do I gain something still by recording in 10 bit even though I have to down convert to 8 bit?

lastly, So if I encode or produce in HEVC, are you saying that I can lower the bit rate to half of the Mbps (100) I recorded in and still maintain the same quality? Im a bit confused as I recorded at 100Mbps which was the rate of HEVC on the DJI Mavic 2 pro which is supposed to be half of H.264. Im thinking that the downsize already occured in the recording rate of HEVC and that I should produce at the same 100Mbps to keep things equivelent.

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Not a feature with PD16, just import capable.

I assume you mean Mbps, as in little "b", not currently a feature of PD16.

Will be half the filesize if you use half the bitrate, (Mbps), if you use same bitrate, same size, as should be, your telling the encoder to maintain XX Mbps so the end file will be the same size, just different quality.

Jeff

looks like HEVC only exports to 8 bit? Im importing at 10 bit, how do I export at 10 bit?
Also, is there any way to increase the bit rate higher past 138 MB per sec???
You need to make this happen or I need to go to Premiere.

Lastly, if I created a video using h.264, shouldnt the file size drop by half if I produce to h.265??? assuming I make no changes other than encoding in HEVC

Thanks