Hi, James!
There is the "Multi-Cam" feature, but admittedly I have not yet tried it myself as I've had no call to use it myself, Others on this forum will have used it and will be better-placed to advise on its use.
If you've shot 4-5 videos of a car race on the same camera(assuming that means just the one camera, rather than four or five cameras of, perhaps but not necessarily same make & model...duh! Dumb remark, I know, but just covering bases here!), then it follows that you'll have 4-5 sequential clips rather than 4-5 shot at the same instance(all cameras recording the same event from different angles at once).
I've successfully combined two clips of the same event together using Power Director versions 7, then 8, using the audio(and to a degree, video) as my cue, and I've adapted the same practice to PD14. It's generally what I've shot on my camera, combined with a shot taken by a friend on his camera(generally different make & model). I'll put my shot on the main screen(Video Track 1) and superimpose his on the PiP(Video Track 2) appearing in either corner of the screen. As both cameras' microphones pick up the same sound(train whistle, perhaps), I use that cue to line up the two clips.
To do this, I listen for the sound in my clip, note where it is in the sequence, then temprarily mute the audio, I then place my friend's shot of the same event on Vid.Track 2, listen for the same sound and split the clip just ahead of the sound so I cal line the two up by matching the wave forms below the video in each track, when aligned, I simply "grab" the front end of the clip on Vid.Track 2 and drag it out, restoring the previously "snipped" content. Naturally, the Multi-Cam function would do this utomatically, but, I've not yet tried multi-cam so I can only assume that it does.
In order to bring the PiP image into view, I take advantage of something that wasn't available in the previous versions of PD that I've used(versions 7 and 8 ), that is the ability to use transitions on the PiP tracks. I insert a colour board(usually white, a neutral shade) make it transparent with chroma-key, copy it and paste at the end of the PiP clip, I then choose a transition effect which does NOT affect the image on the main screen, experimentation required here, a bit of the old "suck it and see" business!, Usually a fade or wipe, perhaps the "Burning" effect, whatever you're comfortable with.
So there it is! I'm sure someone will pop up soon enough with advice on the multi-cam feature, perhaps Maliek Whittaker(PD University) or Tony Fisher(Ynotfish - PDToots) will put up a tutorial video on the subject, we can view it and say "
aah, so that's how it's done!"
Cheers!
Neil.
This message was edited 1 time. Last update was at Jun 12. 2016 22:21