I didn't actually cut the files, I put one above the other as I had complete songs from each and wanted to start with the lining-up.
With a drummer it was not too difficult, as he's as good as a clapboard. Visual cues were easier to spot if both cameras were shooting the same things from different angles, you can fade the dominant track so you see through it and watch both to see if movement lines up. Leaving the audio on in both was also helpful because when you play through the production you will hear an echo if the timing is off just a little. It is necessary to render-to-test because your preview may seem perfect, but depending on how much you are straining your computer, the actual result might be slightly different. When you are satisfied, restore opacity, mute the sound you won't use, and then either split the dominant file (to remove the bits you don't want) or use opacity to fade in/out in/out so the other track shows. I don't understand the reference to re-sizing, but I would not play any tricks/FX in the timeline till the lining-up is done. Multi-camera shoots should get a premium price because it is much more work.
This message was edited 2 times. Last update was at Apr 06. 2012 06:30
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