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I've got the same camcorder. I edited the 50p footage fine, but the final production looked choppy on a Blue Ray. I reccomend converting the 50p clips using the camcorder's software (HD Writer AE) then doind the editing. If you plug the camera in the conversion is pretty fast.
If you want to use the footage on your computer, then the above does not apply.
This brings up the whole question of why do you want 1080p50/60?
Most people's set up can only handle 1080p24/25/30 or 1080i50/60. This generally applies to those who are playing Bluray/AVCHD format discs/folder structure. Some late model Panasonic Bluray players can handle the p50/60 files natively and also in AVCHD folder structure. PS3 has its role as well.
Others like myself have 1080p50/60 playback capabilities (eg Dune mediaplayer going to 1080p panel) and can enjoy the unadulterated 1080p60 in it's glory.
Also some have been suggestion archive original footage at 1080p50/60 to maintain highest quality then you can re-edit later when their AV equipment has caught up. I suggest those who will come back and re-edit several years later are kidding themselves!
So I suspect the best solution if you are passionate about maintaing highest quality is to shoot and edit in 1080P50/60. Render in 1080p50/60 (for later) and then re-render to 1080i50/60. This may be less favourable than shooting in 1080i50/60 in terms of time and difficulty of editing and rendering quality but is a trade off.
Panasonic SD9, Panasonic TM700, Panasonic SD600, GoPro HD Hero.